(Journal) — Notes from the night shift
The Journal
Craft, casting, culture and the occasional confession — written between midnight and sunrise.
Casting the Nocturne show
Forty-two faces, one runway, zero rehearsals. Notes from the casting floor of our FW26 show.
A love letter to bias-cut silk
The cut that makes silk pour like water — and the reason it takes our cutters three years to master.
The city after the party
A photo essay from the streets of Paris between 2 and 5 am, where the collection was first imagined.
Mills, mulberries and patience
A visit to the two family mills near Lake Como that weave every metre of our silk.
Red is not a color, it is a mood
Behind the garnet thread that runs through every SILK AFTER DARK collection.